Lucy Innes Williams: Viridian Garden House, 2019 (Foiled Journal). Flame Tree Studio
Lucy-Innes-Williams-Viridian.pdf
ISBN: 9781839648717 | 176 pages | 5 Mb
- Lucy Innes Williams: Viridian Garden House, 2019 (Foiled Journal)
- Flame Tree Studio
- Page: 176
- Format: pdf, ePub, fb2, mobi
- ISBN: 9781839648717
- Publisher: Flame Tree Publishing
Download french audio books for free Lucy Innes Williams: Viridian Garden House, 2019 (Foiled Journal) by Flame Tree Studio 9781839648717
Overview
New title in the Flame Tree Notebook collection, combining beautiful art with high-quality production, and featuring lined pages, a pocket at the back, two ribbon bookmarks and a solid magnetic side flap. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets. A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Based in Falmouth, Cornwall, Lucy Innes Williams is a painter and illustrator with a passion for bright colours, cold shapes and joyous mark-making. With an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century, she uses a combination of gouache, watercolour and printmaking. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
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